We never really learn anything more about the man or his ambitions, or why this would actually make the people of the forest more likely to be bound to him or why a dam would hurt the forest. My nine-year-old son was three. And what of the Relationship Story Catalyst? . In Frozen 2 he’s just stupid. It's important because it offers an opportunity to see the entirety of an argument from every angle, important if you want a story to feel complete. Since when is Anna the super jealous, paranoid type? Then again, it’s also more than a little silly that Anna just bails on him entirely. It doesn’t work.). and that led to some truly gorgeous moments. My hunch is that the box office success is largely due to two factors: First, people are curious to see what happens with Elsa, Anna, Kristoff and Olaf after a six year hiatus. (Note: Much of Frozen 2 appears to be a reaction to the reaction the first film received for not including many people of color and for “whitewashing.” The problem with how Frozen 2 handled this is that they really couldn’t up and change the race of the lead characters, so instead they just had them retroactively become half Northuldra. (As in Frozen, a previous attempt by a dopey prince's "true love's kiss" totally fails.) This is part of the problem with ret-conning the story and jamming in this entire plot without establishing anything about it in the first movie. As a model of the mind's problem-solving process, Dramatica sees a complete story as an analogy to what goes on in our own minds. Or did they just lie to their kids about it? Main Characters are as blind to their Critical Flaws as much as we are to our own. How is he supposed to propose to her when she doesn’t even know where he is? And also key to bringing peace between two nations who barely know the other one exists! Anna's failure to see the forest for the trees when it comes to the limitations imposed on the people around her--like Hans and Elsa--(Main Character Issue: Preconditions) constrains her efforts to learn why her sister wants nothing to do with her (Main Character Concern: Learning). © 2020 Forbes Media LLC. The problem? What do you think is the most difficult topic to discuss between Frozen fans? It’s just another muddled, mucked up aspect of the film. If this is the second time your computer has frozen, choose to boot in "Safe Mode with Networking." Frozen II has made a big box office splash over the Thanksgiving holiday. The visuals in general were stunning, and at times the forest looked very nearly real. And Olaf, who was—once again—quite funny this time around. And what’s the big rush to propose anyways? Surprise! If that had been the only time she took him the wrong way, I’d be okay with it. Frozen – The Problem With Hans. He also picks bad times to ask, like on the start of their adventure to the enchanted forest when there’s obviously way too much going on. Frozen is a 2013 American 3D computer-animated musical fantasy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The main characters of Frozen love making sacrifices—Elsa shutting herself in to protect Anna, Kristoff sending Anna home to Hans, Olaf melting by the fireplace so that he could keep Anna company, and Anna giving up her life so that Elsa could live. It doesn’t help that I find Indina Menzel’s voice, while quite powerful and capable, often too shrill at the higher end. “The Story of Frozen: Making a Disney Animated Classic” is an all-new, original special in a first-of-its-kind collaboration with Lincoln Square Productions and Walt Disney Animation Studios. illustrate but a few of the problematic areas. The sequel is directed by Chris Buck and Jennifer Lee, the same team as presided over Frozen, which grossed $876m worldwide, and won two Oscars (for … I want one. The rest? ... the problem … The snow lifts and the kingdom of Arendelle returns to what it once was (Story Outcome: Success). Do neither of them care whatsoever about Kristoff’s well being? This story point increases the conflict between the Main Character and Influence Character. He, quite horribly, stabs the man in the back. Surely she and Elsa would have at least spent the night in the Northunlra village instead of leaving in the dark to hurry on their quest? Suddenly we have this whole story about a magical river that can tell you everything about the past. Permission). He pretended to love Anna, only to show his true colors in the end and very nearly kill her. It also works with Anna and Elsa's Relationship Concern of Conscious. Regardless of how these story points could have been exposed, bringing them to the film would have helped shore up the logical side of the story and help stifle those criticisms that felt the plot lacked sophistication. The people of Arendelle, drawn by the brilliance and radiance of Elsa's castle, could have attempted to make the trek up the mountain, only to succumb to the cold or the treacherous cliffs. The Frozen original ending more closely followed the Hans Christian Andersen fairly tale (and probably wouldn't have been as popular). Neither girl has any physical signs of being part mixed-race. As voice actor Josh Gad recently said: Disney, more than any company, has the ability to create these films that continue to speak to generation after generation because of the timeless themes they address, and I think Frozen might belong in that pantheon of great films. There were many moments I found myself smiling or laughing or just immersed in the action, but few where I found myself surprised or relieved or really drawn into the conflict. It’s just not a very good movie, at least when compared to the original Frozen. Same with Hans in Frozen. Elsa assumes the Influence Character role and, after lashing out with her snow monster, takes on the role of Antagonist. Enjoyable, yes. It turns out it’s the matriarch of the Northuldra people, , and it’s just not a funny bit at all. Kristoff with his "fixer-upper" song (Deficiency) and Elsa with her "Let It Go" performance (Permission) provide the necessary challenge to Anna's own personal issues. When I went to see the original, my twelve-year-old daughter was six. Elsa makes her way, alone, to a frozen island where there’s a frozen river called Ahtohallan where she discovers that she’s the fifth primal spirit alongside water, fire, earth and wind. The novel was first published in 2006. Sure, King Runeard attacks the Northuldra leader, but he does so in secret. As Aurora narrates, Maleficent was "both the villain and the hero" of the story after all. “‘Frozen’ uses the idea of magic powers as a metaphor for coming of age, a time when feelings are raw, unpredictable, terrifying and new,” writes Britt Hayes at ScreenCrush. But how does this lead to the fight? Elsa’s powers grew immensely (and I wonder, is she also the Avatar now, capable of bending earth, water and air as well as water?) They are dull. © 2020 Narrative First. Anna answers that call by sticking with her Crucial Element of Non-Acceptance, choosing her sister over the easy and obvious one before her, Kristoff (Main Character Resolve: Steadfast). Not really. King Lewis, Queen Elizabeth, and Elsa were asleep now and Anna was the only one still awake. The [Dramatica][1] theory of story refers to the structure of an argument as a storyform. Related quizzes can be found here: Frozen Quizzes There are 67 questions on this topic. "Timeless themes" communicate loud and clear when presented within the framework of a solid argument. Instead, it was a slog down memory lane where a couple white chicks learn that they’re half Native American, after all! Some sequels draw naturally from their predecessor, but this one felt like pretty much every idea—including why the girls’ parents died at sea—was conceived after the first film was out already. Competing personal points-of-view (i.e., who is the Main Character?) Anna goes to find her lost sister, and one thing leads to another and pretty soon there’s a story of betrayal and true love and you know the rest. [1]: http://dramatica.com "Dramatica - The Next Chapter in Story Development"http://dramatica.com "Dramatica - The Next Chapter in Story Development". And new writers. Anna is a twit in Frozen 2, and it’s completely out of character. The first teaser for "Frozen 2" just dropped and fans feel like it features a lot of autumnal imagery. Olaf and Sven were the only parts of the movie that I didn't really have a problem with. This story point increases the conflict between the Main Character and Influence Character. It seems like a very small tribe, very far from Arendelle’s borders. And why would he risk all in such an attack, when he could, instead, continue to argue that the dam is actually a boon? While catchy songs, charming vocal performances, and a lush color palette contribute to the film's success, the story itself is dysfunctional. Anna was one year old now and Elsa was four. This is all much better than what we got, but still falls victim to the story’s underlying problems with race, overly vague backstory and, well, all the rest. Frozen Fire is a philosophical thriller about the nature of reality by Tim Bowler. The problem in a story is called the conflict.Also the solved problem is called the solution. Either of these could have illustrated the Objective Story Issue of Attraction and added to the richness of the story by showing how being drawn to something increases conflict. Why label Elsa the Influence Character and not a secondary Main Character, or co-Protagonist? Furthermore, it occurs to me that the film gets perilously close to “noble savage” territory. The witch, Mother Gothel, wasn’t just a witch—she masqueraded as Rapunzel’s mother. Also, why does every member of the Northuldra look somewhat Native American or maybe Inuit, but then their mom is just completely white? . There’s a running “gag” throughout Frozen II in which Kristoff tries, and fails, to propose to Anna. The novel was first published in 2006. While Anna and Elsa both provide personal points-of-view, once Elsa sings her song "Let it Go" that initimate view into her struggle fades. The basic story (frozen bird fired by nincompoops) has been around for years, with the details always in flux. Again, the Northuldra are only half-baked at best, built on vague ideas of what indigenous people are like in our most vapid romantic texts. With $915 million dollars and counting, Disney Feature Animation regains it's crown. (Though, um, not really a surprise.). I want to share with readers my reasons as to why Elsa’s struggles could represent someone struggling with a mental illness: So Elsa is basically the Fifth Element, I guess. In the original Frozen, the conceit is quite simple. Fortunately, the young man says, his people have a special way of proposing that’s bound to get her attention. 12. and a weak Objective Story Throughline that starts and stops as it sputters along (if it's so cold, why don't you guys just go inside?) I admit, I did really enjoy that horse. Yet, the film succeeds in spite of these missteps because of the solid emotional core at the center. Oh, and how come nobody over the past however many decades thought to destroy the dam? Think of the villain from Tangled. When Anna discovers a secret room in the castle and incants a magic spell, she hopes it will make her dream of curing the sickness come true. The plot, from the very get-go, feels forced and tacked-on. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. Elsa hollering “into the unknown” four times at rising pitch is only catchy in the way hammers beaten over ones head are catchy. Crazy how just disappearing in the dead of night without a word sends the wrong message! The 53rd Disney animated feature film, it is inspired by Hans Christian Andersen's 1844 fairy tale "The Snow Queen". Olaf’s new song in Frozen II, “When I Am Older” is cute, but nowhere near as funny. Frozen II follows suit, to some degree, with the ending much better than the beginning, but the whole thing is a convoluted mess. Frozen 2 could have been a grand adventure. Colleagues steal Greek yogurt and half-eaten oranges, and bosses help themselves to their employees' frozen dinner. The Influence Character Unique Ability, which grants the Influence Character the ability to thwart the Main Character, is set to Permission--it's up to Elsa who Anna can and cannot marry. All of this is, again, merely allegory for a young woman’s coming of age … She climbed onto her sister's bed and smiled. Frozen Inciting Event: While the two sisters play, young Elsa accidentally hits Anna in the head with an ice blast. [Edit: I guess they are meant to resemble the native Sami people, but that aside the rest of my point still stands.] Then one night, it all changed. From the outside Elsa looks poised, regal and reserved, … Clearly, that’s not what Kristoff meant. What better place to explore the problems of attraction and what people think of you than in a story where the two principal characters struggle with what they're allowed to do and what others are imposing on them. It’s such a sloppy move for a bad guy clever enough to use a massive, expensive dam like that in the first place. The view from Anna grows from that moment, placing her in the position of Main Character, an intent of Author verfied in a recent interview: ...it's a little Shawshank-y where it's Anna's story but it's really about Elsa...we go through her eyes, so she's technically the protagonist... Anna works as both Main Character and Protagonist within the Objective Story (Dramatica differentiates between the two). Disclaimer:- If you haven’t seen the Disney animated movie, Frozen (2014) and wish to remain spoiler free, then avert your eyes now and don’t read on.Just to make sure nothing is spoilered I will now post a large space-taking-up photo of Hans, one of the characters featured in the film. As her powers are revealed, the responses of those in the castle remind Elsa of how her parents reacted that first day and she flees (Influence Character Problem: Reaction). Well, let’s take a look at the five biggest problems with Frozen II. Without it, the story would last two minutes. This inside look is key when it comes to the Main character Throughline. Suddenly Elsa is hearing voices, and an elemental spirit shows up at the Arendelle and puts out all the fires, starts an earth quake and forces everyone out. And Sven and the other reindeer are all just too cute. The storyform works because it holds like-minded thematic material together. What if they’d found him and were overjoyed to meet him for the first time, and he seemed like a kindly old man? Okay, maybe a mute pet snowman. Or why not invite the leaders of the Northuldra to Arendelle and then kill them there, or have them ambushed by “bandits” on the road? Create a story that functions like the mind's problem-solving process and enjoy becoming part of a legacy. To be fair, there were some bones of a good story here, but the movie failed to capitalize on any of them, and instead we were left with a contrived narrative and a too-rapid conclusion that, for me at least, felt utterly unearned and unsatisfactory. Second, it’s a tent-pole family movie for a whole new generation of six-year-old girls who don’t care about plot holes or mediocre music. He also killed their leader and I guess this lead to the fight that doomed the forest, and the only way to end the curse is to break the dam, and just as she freezes to death (but not really) she sends the memory to Anna and then Anna goes and breaks the dam by getting giants to throw rocks at it and all is saved. . Let me know on Twitter or Facebook. And also Elsa is the Fifth Element and she’s definitely going to hook up with Bruce Willis in Frozen 3. The closest thing to an antagonist, other than the curse of the forest, ends up being the princesses’s grandfather, King Runeard. Moved by her sister's transformation and Kristoff's own bold act of courage (another instance of Influence Character Solution: Proaction), Anna joins in the celebration by doing what she does best--bringing her own brand of mischievous jubilation to a celebration (Story Judgment: Good). While that may sound inconsequential when compared to the loss of life, it plays stronger thematically against Elsa's issues of letting go and being herself. Understanding how this argument works becomes essential for those wishing to repeat Frozen's monstrous success. Anna is cured by magical forest trolls, but to prevent any future accidents, their parents decide that Elsa must hide her powers until she learns to control them They also erase Anna’s memories of Elsa’s magic without telling Anna why Elsa must avoid her. The few remaining soldiers put up a quick resistance but buckle immediately. we then move right into White Savior territory. On the other hand if everyone died of starvation, well, thats not a very good ending to any film. Every time Anna tries to delve into why her sister won't talk to her (the "Do You Wanna Build a Snowman" song or her first time to the Ice Castle) the tension between the two sisters … The Consequence of Conscious, also missing from the final film, offers a chance to raise the stakes far beyond "freezing to death". The way Fallon sings it is pretty much how I hear it in the movie: Were there parts of Frozen II that I did enjoy? And frankly, if these are the best songs you can come up with, maybe it’s time to find new songwriters. In fact, I’d say that Frozen 2’s lack of compelling or catchy tunes is its very biggest problem. Well, finally I got a topic for discussion post and I decided to write it right now (which is already late night here). 'Frozen II' is breaking box office records and delighting young audiences everywhere, but it fails ... [+] utterly to live up to the original. Kristoff isn’t the brightest bulb in the lightbulb factory, but even he would know that simply wandering off into the night without a word is bound to lead to problems. She never told him? These Issues of Attraction and Consequences of Conscious aren't random; they work in harmony with the thematics already there in the final product. Rather than a story simply of one woman, the sisterly relationship in Frozen made for far better story fodder. Why does it take Elsa and Anna to come up with the answer (an answer you could see coming a mile away from your seat in the theater). This is, I’m afraid to say, the “noble savage” portrayal of indigenous people to a tee. It just isn’t a terribly good movie. a pretty messy story that relies on inserting a lot of backstory that was mysteriously not present at all in the original film. And lastly, take a look at Anna's Main Character Critical Flaw. He could have just invaded in force and probably saved a lot of treasure in the process. Crazy how that doesn’t work! What did you think of Frozen II? Both sister and boyfriend-to-be usher forth similar thematic substance in song (Influence Character Issue: Deficiency vs. Factoring in all the other thematic choices made--everything from the Story Outcome of Success to the Relationship Story Focus of Non-acceptance to the Influence Character Solution of Proaction--the story requires Anna's Critical Flaw to be Attraction. When Princess Elsa and Princess Anna of Arendelle were little girls, they were the best of friends. You can’t ignore it, but you don’t really want to sing along. The main issue of the story is that Dr. Alex Murray has mysteriously disappeared while working on a secret government project. I imagine that spending 4 days completely frozen and in sub 0 temperatures that most, if not all, of their crops would fail that year. Anna was one of the only people who knew Elsa’s secret, Elsa had the power to make snow and ice! Her failure to further scrutinize those she loves (Main Character Problem: Re-evaluation) acts both as her downfall and her strength. As in Elsa from a recent Disney film you may or may not have heard of, “Frozen.” ... “A good story, issues to think about and wrestle with,” Kaufman told me. None of it adds up. Frozen will endure in the hearts and minds of so many people because of the solid storyform at the center of it all. I vastly prefer Kristen Bell, and did find her songs the better of the lot, but still . Over and over again. Frozen was released in 2013, winning over the hearts of children everywhere with memorable music, goofy humor, and lovable characters. Not only do they live in harmony with nature—a harmony that the vicious white settler has undone with inexplicable treachery—they live in an enchanted forest and are in tune with the magical spirits there. Realizing that love, not fear, reconciled the two sisters (Relationship Story Solution: Deduction), Elsa can now use her powers for good, boldly providing joy to her subjects (Influence Character Resolve: Change and Influence Character Solution: Proaction*). Frozen took this approach and secured for itself a place within the grand tradition of beloved Disney animated features. Every time Anna tries to delve into why her sister won't talk to her (the "Do You Wanna Build a Snowman" song or her first time to the Ice Castle) the tension between the two sisters mounts. Even the villain is written like a moron—and then quickly forgotten. In fact, we don’t even really ever learn how exactly the fighting broke out in the first place, or why a presumably pre-agrarian society would want a dam to begin with (or why such a society is in Europe when it’s so clearly Native American). Instead, it was a slog down memory lane. Native people are just that: People. There are two trends in American filmmaking when it comes to Native Americans and the portrayal of Native Americans in fiction and film. . Apparently it involves going off into the forest without telling Anna to meet him there later, surrounding himself with a bunch of caribou, and waiting for her to show up. As a sequel, Frozen II is an undeniable success. The storyform calls for Investigation which works perfectly for what is already there in Frozen. I, like so many other parents at the time, grew mighty tired of “Let It Go” but there’s no denying that it had a great hook and held a powerful message for young girls especially. Her power is too strong and she doesn’t know what to do with it, so even as a girl she begins shutting out everyone close to her, including her sister, Anna. They love it for the princesses, the magic and the cool water horse. You couldn’t come up with anything more interesting? Of course we’re all curious to see what this sequel is all about, and why not go to the theater? The wacky shenanigans continue when Kristoff meets a Northuldran youth who sympathizes with his plight. The closer a story mimics these processes the less chance for story "holes" and the more it will feel complete. Theft is apparently rampant in offices all over the Thanksgiving holiday in flux and half-eaten oranges, and were. Just another muddled, mucked up aspect of the narrative yogurt and half-eaten oranges, and bosses themselves. There in Frozen 3 increases the conflict between the Main Character problem: )! American filmmaking when it comes to life best of friends they just lie to kids... See what this sequel is all about, and withheld things from for! Our own that they’re half Native American, after lashing out with snow. You don’t really want to sing along between two nations who barely know the other are! 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