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Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal and repeatable equalization at 15 points in 5 steps of boost, divided into three overlapping ranges. When API started producing their own console range in 1971, the 550 module became the standard channel equaliser, and its reputation extended far and wide. It‘s one amazing sonic screwdriver. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. Known for their bright, open, punchy sound, API products have been used on countless hit records over the last 50 years. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. While we constantly strive for total … API was founded in 1969 by the great Saul Walker. Forty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. The API 550A is a three-band equalizer what was first released in 1971 as part of the company’s modular hardware lineup. So many hit records still depend on the unique 550 sound that engineers around the world find it to be an invaluable tool. FREE.Texas residents are subject to sales tax of 8.25 % Happy Bidding !! At the end of the day, it really comes down to making the most out of the tools that you have. The API 550B is a four-band equaliser belonging to the company’s highly-prized 550 family of EQ modules. The API 560 is a 10-band, graphic EQ with frequencies an octave apart, starting at 31 Hz up to 16 kHz. Lucky for us, these classic EQs have been meticulously modeled for the API 500 Series EQ Plug-In Collection. API 550B Discrete 4 Band EQ Module. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. API 550b 500 Series Equalizer: Discrete four-band EQ. Each band offers 7 API selected frequency centers, EQ Band 1 and 3 offer shelf/peak switching, "Proportional Q" narrows filter Q at extremes, Traditional API fully discrete circuit design. Few equalizers enjoy the respect and admiration of the coveted API 550A. These frequencies, purposely selected to be musical rather than numeric, were selected by an experienced "who's who" list of the industry's most proficient engineers. Four bands of our famous sounding equalization, Each band offers seven API selected frequency centers, EQ band 1 and 4 offer shelf/peak switching, "Proportional Q" narrows filter Q at extremes, Traditional API fully discrete circuit design, Re-issue of 1967 API 550 EQ with an extra band. The API 550A is a discrete 3 band EQ that was designed in the late 1960s by Saul Walker. The API 550 discrete four-band EQ played a major part in the history of music recording in the USA during the 60s and 70s.Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Its high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of https://www.apiaudio.com/product.php?id=106. Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. API 550 is an aggressive sounding EQ to begin with. Originally a modular OEM equalizer, the 550A found its way into many custom console designs by Frank DeMedio and other leading engineers, many of which are still in use today. I would use a smoother sounding EQ if I had to induce 12db of gain. The 15 equalization points are … Modeled on the late 1960's legend, the API 550A EQ provides reciprocal and repeatable equalization at 15 points in 5 steps of boost, divided into three overlapping ranges. The API 550A Saul Walker is a hand-wired limited edition re-issue of the original 3-band switchable API console EQ unit, for the 500-Series format.. The 550A became API’s standard channel module EQ when the company started manufacturing consoles in 1971. This unique feature minimizes the "phase-shift" sound found in many equalizers. These EQs were built into many custom consoles and then put into the Consoles API started building in 1971. Use this URL to link directly to this page. Modeled on the 1960's legend, the API 550A EQ delivers a sound that … Designed by the now legendary Saul Walker in the late 60s, the discrete 550A was first used as a modular OEM equalizer. If major tonal restructuring is required, the extraordinary headroom made possible with API's 2520 Op Amp offers the predictable and warm analog performance, even under duress. Traditional API fully discrete circuit design; High headroom +30 dB clip level; Re-issue of 1967 API 550 EQ with an extra band . https://www.apiaudio.com/product.php?id=107. Many of these consoles are still in use today. Use this URL to link directly to this page. 3758b9b5-045c-4b7d-b020-80f9b068d990 07:10 AM EST (Some of us aren't that crazy about the sound of most parametrics) The 553 was a cheap eq. A-SERIES modules require the mixIR³. Originally conceived for use in API's consoles, this latest 550"B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. With the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music. The API 550 from Waves is a plug-in developed in association with API that models two classic API equalization modules. Automated Processes Inc. (or API) is a manufacturer of high-end recording studio equipment, including stand-alone preamplifier designs, equalization units and mixing consoles.Their modular "lunchbox" design allows preamplifier, compressor and equalizer modules to be added to a recording studio design as budget allows. The 550A is a parametric equalizer with three overlapping bands. API 550B (Demo Deal) The API 550 discrete 4-band EQ played a major part in the history of music recording in the USA during the 60's and 70's. In addition, the reciprocal nature of the 550b enables the user to "undo" what has been done previously with exact precision. Now a certified studio classic, the 550A’s versatile and ability to push settings very hard while maintaining sonic integrity keep it amongst the most widely-used analog EQs today with a legacy spanning well over 40 years. Simple, a 550 isn't a parametric! As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. “The 550A in particular is so simple that I feel like I can easily get a tone I was imagining out of them. Rather than offer a huge assortment of complex features, the API 550b provides exactly the right number of controls. One of their most coveted products is the 550 Series EQ. Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal and repeatable equalization at 15 points in 5 steps of boost, divided into three overlapping ranges. Waves . Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. The API 550 EQ played a major part in the history of music recording in the USA during the 60's and 70's. I don't think I've ever gone past 6db on my APIs. API 550 Vintage EQ. Its high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of all other settings. that let API sell some consoles to people who couldn't afford a top of the line console with 550s. This sonic 'character' is distinct and great - AND, they are built to take the punishment of the studio or the road, which is why it's found in so many travelling engineers' “box of kit”!”, — Frank Wells (Engineer/Journalist – Nashville, TN). Popular demand eventually forced API to put the 550 back into production in 2004, as the 550A, along with a four-band 550B version. API-550 . API’s Saul Walker designed the original 550A in the late 1960s. Sometimes in audio things feel light and delicate, this feels like a lethal weapon; it's like a sword.”. The idea behind proportional Q is that as a frequency is boosted, the filter bandwidth narrows. Manufacturer site . The new plug-in, dubbed the FG-A Vintage American Equalizer, is a recreation of the revered API 550 four-band EQ. The API 550A and the API 550B are two pro-quality EQs found in serious music production studios around the world. Article Content. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 Op Amp), the 550b artfully blends the past with the present. Few equalizers enjoy the respect and admiration of the coveted API 550A.. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. The Waves API 550 Collection gives you two amazing classic processors. Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. The API 550A and 560 are now standard equipment in top recording facilities, humble project studios, and everything in between. It is unlike any other EQ you will ever use. The benefits of the API 550b are most obvious to those who work with EQ on a continuous basis. Shipping Costs. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. It almost feels weaponized. Its high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of … Sometimes I'm not even adding a ton of EQ, sometimes I'm just running through them. The fifteen equalization points are divided into three overlapping ranges. A small toggle switch is used to insert the band-pass filter into the 550A. Guarantee. The 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. Frequency ranges and boost/cut are selected by three dual-concentric switches, and a pushbutton "in" switch allows the EQ to be silently introduced to the signal path. 550A Parametric EQ. Seamlessly add EQ to your IR mix with the twist of a knob. The API 550 discrete four-band EQ played a major part in the history of music recording in the USA during the 60s and 70s.Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with … API 550a 500 Series Equalizer: Discrete, classic three-band EQ. After being discontinued for a long time the 550A’s got resissued in 2004 (Thanks heaps API! The fifteen equalization points are … It seems to make things just sound smoother to me!”, “The 550b allows you to change the color of your musical performance in a way that is impossible to duplicate with others that may give you the same parameters. “I love the 550b EQs, especially for my overhead mics. Introduced in 1971, the 550A was the standard channel EQ module on API's first consoles.Its three overlapping bands of parametric EQ, independent 50 Hz to 15 kHz band-pass filter, and individually selectable peaking or shelving modes make it the perfect tool for getting drums and guitars to stand out in the mix. Our A-SERIES EQ packages impulse responses from the API 550, 550a, 550b and 560 EQs into mixIR³ modules. The essence of the legendary API 550 and 560 equalizers exclusively for the mixIR³. Originally introduced in the late-60s, the API 550A Saul Walker is a faithful recreation of the classic console modules from API, or … UAD 500 Series EQ Collection; UAD API Vision Channel Strip; Wave’s API 550; UAD 1073; Slate FG-N; Waves V-Series EQ; Waves Scheps-73; Waves F6 Dynamic EQ; Eiosis AirEQ; Fab-Filter Pro-Q . Following on from the decorated legacy of the 550A, the 550B offers a similar character with an extra frequency band for even greatly flexibility and scope to craft sounds with the unmistakable colour of API … Making use of API's "Proportional Q," an innovation designed by Saul Walker in the '60s, the 550b intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. The 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. The original garnered acclaim thanks to its use of all-discrete 2520 op-amp gain stages and its 'proportional Q’ curves. With a surprisingly wide range of tonal variations, the 550b is an invaluable and professional audio tool with great flexibility and excellent sonic ability. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. The API 5500 is essentially two 550B four-band EQ modules configured in a single-space rackmount chassis with an internal power supply. The API 550 EQ played a major part in the history of music recording in the USA during the 60's and 70's. The API 550A module is modeled on the legendary late '60s hardware and provides reciprocal and repeatable equalization at fifteen points in five steps of boost, divided into three overlapping ranges. 12 db on a 550 is very drastic IMO, especially considering the proportional Q like it has. In fact, the 550b design has been taken from the original blue prints and spec control drawings from the API archives. Modeled on the late 1960’s legends, the API 550 EQ plugins include two uniquely powerful equalizer plugin components: The API 550a and API 550b equalizers. The 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. Like the individual 550 modules — and, in fact, all API analog products — the 5500 is a fully discrete-component device with … ). The combination of Walker's incomparable 2520 op amp and his "Proportional Q" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization. Based on API's original 550 from the late '60s, the API 550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. 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