DANCE 156 may immediately follow DANCE 46. Find Us at Sweet Hall, 1st Floor. This uses dance and choreography as a lens to more deeply understand a wide range of identity and cultural formations, such as gender, race, sexuality, (dis)ability, (trans)nationality, and empire. A true Stanford enthusiast, Dr. Bob was a founding member of Stanford’s ultimate frisbee team, a member of the Stanford soccer team, a drummer in the Band and the second Stanford Tree. Through academic and creative studio work, students are introduced to new models of scholarship that explore dance’s capacity to chart and at times resist social norms and bodily behaviors. The course's structure challenges the Western/non-Western binary by comparing dance forms across the globe. All courses for the CS minor must be taken for a letter grade and the average GPA must be at least 2.0. The body as a vehicle for expression is an ever expanding landscape and the class will focus on the plethora of ways movement can be derived including; the many ways improvisation can engender movement, how systemic approaches to performance can enhance a creators understanding of the body in space, the ways chaos and ugliness can redefine our notions of beauty, and how environment, sound, music, and context can inform our physical sensibilities. No previous experience necessary. Imagine moving through a sensorial landscape while traveling in place. Sonatas, violin, piano. DANCE 45. Developing Creativity In Dance. What happens when Hip Hop meets "Fosse", "Aida", "Dream Girls" and "In the Heights"?nThe most amazing collaboration of Hip Hop styles adapted to some of the most memorable Broadway Productions.nThis class will explore the realm between Hip Hop Dance and the Broadway Stage. Students enrolled in this Arts Intensive course are expected to continue into the fall quarter culminating in the premiere of ReVIVAL the weekend of November 14-16. This introduction to dance studies course explores dance practice and performance as means for producing cultural meaning. 2 Units. We will further examine dance forms produced in mid-twentieth century Iran and Egypt, with particular attention to nation-state building and constructions of gender. Genres: Dance. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Same as: CSRE 153D. Studio practice will be supplemented by readings, video viewing, concert attendance, and participation in special workshops with guest artists. Weekly Dance Class: Stanford students will fully participate as dancers, and creative partners, in the Stanford Neuroscience Health Center's ongoing "Dance for Parkinson's" community dance class for people with PD. The Veiled Prophet (1877, perf. Bokaer is a Co-Founder of CPR - Center for Performance Research in New York City. 1 Unit. She has also organized numerous choreographic … Each work requires a different approach and skill set. A graceful dancer who carries a passion for historical and vernacular social dance, Angela has taught and performed across the United States and Canada, as well as in Paris, Rome, Prague, Venice, St. Petersburg and more. (Stanford users can avoid this Captcha by logging in.) Included Work Brahms, Johannes, 1833-1897. Interested participants encouraged but not required to contact instructor, Aleta Hayes: ahayes1@stanford.edu. DANCE 106I. Autumn 2020, we will pioneer the ¿visceral in the virtual¿ to create a gestural portrait of a brilliant artistic community. In this course students will be introduced to a series of contemporary dance warm ups and dance combinations that are drawn from a broad range of modern dance techniques, somatic practices and dance traditions of the African diaspora with a particular focus on Afro Brazilian, Afro Cuban and Haitian dance forms. For questions please e-mail aketley@stanford.edu. Designed for beginners, we welcome student movers from diverse dance traditions, non-dancers, athletes, and more advanced dancers, who desire fluidity in their daily life, from thought to action. Emphasis is placed on improving forms, developing coordination and connectivity, securing balance, increasing strength, flexibility, sense of lines, and sensitivity to rhythm and music. This course will introduce students to the ways in which the Middle East has been represented and performed by/in the 'West' through dance, performance, and popular culture in both historical and contemporary contexts. Think critically about the visual arts and visual culture and focus on the meaning of images and media, and their historical development, roles in society, and relationships to disciplines such as literature, music, and philosophy. Note that some Stanford programs do not offer an undergraduate major, but may offer a minor or another credential. Even after this point, you may change or drop your minor if your interests shift. History of the Waltz. At Stanford, about half of all ... Rodin’s The Thinker contemplate the rotator cuff muscles of the mnemonic SITS: supra­spinatus, infraspinatus, teres minor, subscapularis. In the process students gain an understanding of incarceration and its cultural dimensions. Dance and the Politics of Movement. in Computer Science with a minor in Economics. Forgot account? Prerequisite: DANCE 46. Dance at Stanford is positioned as a rich and living art medium through which we read culture and our location within it. DANCE 140. Introduction to Dance & Movement: Afro Flows. Learn more. Co-sponsors include the Office of the Vice President for the Arts, Stanford Humanities Center, Center for Comparative Studies in Race & Ethnicity, the Department of Theater & Performance Studies, the Film & Media … Helpful Links. DANCE 290. How can we draw strategies from black performance to inform our current movements for social change? By the end of the term, we will have created a Phrase Bank together, as well as a video-recorded solo line for and by each dancer. Major & Minors. Learn new skills and explore new and emerging topics. Not Now. Consistent lines of inquiry include; sculpting with the body as an emotional, instinctual, and graphic landscape, how the fracturing and the complication of strands of information can feel generative of new ways of moving, discussions around how our use of time is directly correlated to our sense of presence, and the multitude of physical colors available to each of us as artists as we expand our curiosity about movement. We will examine dance from diverse locales and time periods including ballet, modern and contemporary dance, contact improvisation, folkloric dance, burlesque, street dance, queer club dance, drag performance, music videos, TV dance competitions, and intermedia/new media performance. 1 Unit. These six students are some of the many Stanford undergraduates dedicated to understanding the past, questioning the present, and imagining the future by studying the humanities and arts. 72. The class honors the historical training legacy that defines classical ballet, but is in no way shackled to that history in an antiquated fashion. 226 likes. Full list of past and future events. Contemporary Choreography: Chocolate Heads Performance Project. Our study of these dance disciplines will inform the movement vocabulary, technical training, class discussions, and choreography we experience in this course. Through theoretical and historical texts and viewing live and recorded dance, we will develop tools for analyzing dance and understanding its place in social, cultural, and political structures. DANCE 161P. Together, mentor and dance maker discover rehearsal processes that will support and realize the proposed work, including movement investigation, music/sound choices, costuming, and lighting. Previous dance experience is not required to take this course. Intermediate/advanced waltz variations, redowa and Bohemian National Polka are followed by intermediate/advanced tango, cha-cha, salsa and bachata. Explore Degrees Archive, 2009-10. The complete Stanford Bulletin - course listings for the Academic quarter. If the class is filled, register to get on the waitlist. The minor in entrepreneurship for the fine arts is a good addition for students on this path. 2 arranged Imprint Orange, N.J. : … DANCE 132. For example, you may develop a course plan in which courses required for one major overlap with requirements for another. Dance at TAPS, Stanford, California. The course will include special guests from the TAPS faculty in Dance, Theater and Performance. Contact: Aleta Hayes (ahayes1@stanford.edu). Though Cunningham-based dance technique is particularly well-suited to dancers with prior training in ballet, dancers with prior training in all forms of dance are welcome and strongly encouraged to enroll. DANCE 108. in Computer Science with a minor in Economics. Short written reflections and concert attendance will supplement studio work. 2 in D minor / arr. 171 (1919; unfinished, orchestrated by Geoffrey Bush) Variations for violin and orchestra, Op, 180 (1921) Concert Piece for … 2 Units. 1-2 Unit. Conjure Art 101: Performances of Ritual, Spirituality and Decolonial Black Feminist Magic. You apply like everyone else to the admissions office but you can send an arts supplement. One is the Creative Process, with dozens of tips and suggestions which will be useful in your other work beyond dance, and the other is the Art of Choreography. Explore Courses Alphabetical Index Home Accreditation Nondiscrimination Policy Additional Information Registrar's Office Academic Calendar 2009-10 Stanford's Mission University Governance and Organization The Board of Trustees Executive Officers The President Committees … Quintet Op.163 Ethel Smythe. I don't think you apply to the Stanford Dance program. What does it mean to dance black? 71; Violin Concerto in D major, Op. nAccompanied by contemporary and live music, Students will develop articulation, flexibility and "grace", learn contemporary and classic dance vocabulary, gain freedom dancing with others and mine dance's potential for social transformation and connection. Special attention will be given to new turns in queer and feminist dance studies. This formal declaration must be made no later than the last day of the quarter two quarters before degree conferral. This introductory course explores the creative process in dance. Be one of the brilliant dancers and choreographers who are shaping dance, art and video, integrating different dance styles and cultures, to unite the world. Uniform Title Slovanské tance, op. DANCE 197. 1 Unit. The contemporary technique taught in this class prepares the student to perform with clarity and artistry, and with deeper anatomical knowledge and connectivity. What personal passion will drive your exploration? We will search for the common questions and conversations about embodiment, the spectator¿s gaze, and black belonging that run through all three disciplines. The minor requirements integrate academic and creative studio work to help students develop a command of dance as an art form and as a subject of critical inquiry. Students in the department learn … Experience: Investment Analyst - Capricorn Investment Group; Software Engineer - Palo Alto Networks ; Software Engineer - Apple; Co-Founder - Habitat; Christine Xue × Pronouns: … Special Research. Weekly Lecture/Seminar Presentation: Partial list of instructors include Ms. Frank, Dr. Bronte-Stewart and other Stanford medical experts & research scientists, David Leventhal (Director, "Dance for PD") and Bay Area "Dance for PD" certified master teachers, film-maker Dave Iverson, Damara Ganley, and acclaimed choreographers Joe Goode, Alex Ketley, Judith Smith (AXIS Dance). Get Directions. Same as: CSRE 162V. Rehearsals culminate in an informal open performance. Course prerequisites are intended to serve as a guide, rather than as a deterrent. As postcolonial theorist Edward Said explains, the framework we call Orientalism establishes the ontological character of the Orient and the Oriental as inherently `Other'. Class sessions will alternate between theory and practice, with student choreographies submitted and discussed within an encouraging, supportive group of new creators. 2, E minor [sound recording] : violin. No more than one elective can be chosen from courses in another department and only if it is approved by the Film and Media Studies coordinator and core faculty for its stress on methods of film … Creative Research for Artists. The PDF will include all information unique to this page. Students develop will skills for writing, speaking, and making performance to explore the intersections between race, sexuality, and dance. Students participate in the dance-making/remix process, alongside storytellers, musicians, visual artists, and filmmakers, to co-design a multimedia production. May be repeated for credit. ReVIVAL: A Site-Specific, Multi media Dance Theater Production. 4 Units. Explore the related occupations that hunger for the collaborative, creative, and inventive spirit of theater and dance majors. This will be an online Zoom course; students must have this time slot available for Zoom participatory sessions. Elements of Music I (4 units) MUSIC 22. Individual project on the work of any choreographer, period, genre, or dance-related topic. Choreographic Realization Project will focus on the creation of a choreographic work created collaboratively between participating students and the instructor. All this material will be available for a future site-specific live dance performance at the Anderson Collection Museum, exact date tbd/tba, but likely Autumn 2020. Students will be able to demonstrate period specificity, character of style through learning different musical theater dances from the early 20th C.to the present. 4 Units. 2 Units. Dance at Stanford is positioned as a rich and living art medium through which we read culture and our location within it. Meet Lorena Diosdado, Irie Evans, Angie Lee, Panos Vandris, Lina Wang, and Tristan Wagner. Contemporary Choreography. Special Topics: Dance, Architecture, Technology. Alternately, a minor can be used to achieve a well-rounded, broadened course of study that allows students to cultivate interests separate from their declared major. 2017 Preview SONG TIME 6 Waltzes. DANCE 160J. 3-4 Units. DANCE 114. DANCE 27. For detailed project descriptions and full rehearsal/performance schedules, contact instructors directly.nnStudents enrolled in Aut 2019-20 will participate in Revival with Amara Smith. 11 ... 24 Preludes in All the Keys, Op. We will read theoretical and historical texts and recorded dance as a means of developing tools for viewing and analyzing dance and understanding its place in larger social, cultural, and political structures. The students are encouraged to explore the form as artists, to question its foundations, and find their own sense of agency within classical dance. Infusing Acting thru dance movement and exploring the Art of Lip Sync thru Hip Hop Dance styles. About. Starting with 19th century colonialism and continuing into the post-9/11 era, this course will trace the Western production, circulation, and consumption of representations of the Middle East as 'Other' in relation to global geopolitics. The Dance concentration offers diverse approaches to dance as a performing art, cultural practice, political act, and embodiment of ideology and beliefs. DANCE 118. Roble Dance Studio. Class begins promptly; wait-listed students will replace tardy dancers at 3:30PM. At Stanford, Frank has taught contemporary dance technique, choreographed, and mentored graduate and undergraduate student dance projects. Many students are taken from the waiting list. Same as: CSRE 61, FEMGEN 161D, TAPS 161D. Dancers must be ready to work at an intermediate/advanced level to enroll. 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