Jour de Fête Year 1949 Runtime 70 min. May 10, 2019 - In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. Also used in the English speaking world Criterion BFI. What you hear is as crucial—and as funny—as what you see in Tati’s films. Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by the Criterion Collection. “Mon oncle,” a 2008 documentary on the making of the film; Everything Is Beautiful, a 2005 piece on the fashion, furniture, and architecture of Mon oncle The music score is great and it's a good way to show «l'ambiance de fête» that lives in the village. Jour de Fete subtitles. Jour de fête (The Big Day) is a 1949 French comedy film starring Jacques Tati in his feature film directional debut as an inept and easily distracted mailman in a backward French village. Dieser box hat folgende filme, Außer in Jour de Fete wo er einen Postbeamte spielt drehen diese sich um sein Alter Ego Hulot. Director Jacques Tati Genre Comedy Rating * 7.4 Votes * 4,525 Checks 1,520 Favs 113 Dislikes 10 Favs/checks 7.4 % (1:13) Favs/dislikes 11:1 * View IMDb information New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray, Two alternate versions of the film: director Jacques Tati’s 1964 reedit, featuring hand-colored objects and newly incorporated footage, and the full-color 1995 rerelease, completed from Tati’s original color negatives. The author recalls meeting the filmmaker in a Swedish hotel in the ’70s. AKA: The Big Day, Holiday. L’ecole des facteurs is the 1947 short that influenced Jour de fête, even featuring some of the same gags, and was directed by Tati. Returning to The Criterion Collection, previously released by them on LaserDisc almost 23-years ago, Jacques Tati’s original 1949 black and white version of Jour de fête receives a new Blu-ray edition presenting the film in its original aspect ratio of about 1.37:1 on a dual-layer disc. . Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language. Stray Dog (1949) 118. Jour de Fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. Tati was besieged with offers to special deliver his Francois into further adventures—“The Postman Gets Married” and “The Postman in Paris” figured among the suggestions. The latter trait was undoubtedly due to his early career as a mime in French music halls; when he switched to film, he adapted his penchant for mute comedy not only to his character but also to his directing style. — J.R. There’s very little audible dialogue in Tati’s films, and their spare use of sound contributes to the overall sense they create of a forbidding, contemporary world in which Hulot feels adrift and superfluous. In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. “Jour de fête”: In Search of the Lost Color, a 1988 documentary on the process of realizing Tati’s original color vision for that film Once Upon a Time . Even in this early work, Tati was brilliantly toying with the devices (silent visual gags, minimal yet deftly deployed sound effects) and exploring the theme (the absurdity of our increasing reliance on technology) that would define his cinema. Jour de Fête → Jour de fête – Correct capitalization for French title. In this 2013 video essay, Jacques Tati scholar Stéphane Goudet tracks the evolution of Tati’s comedy stylings, from their origins in the short films where he first appeared through his ambitious feature productions. Shot largely in and around Sainte-Sévère-sur-Indre, where Tati had lived during the Occupation, most of the actors were unknown and villagers served as extras. Jour de Fete (Tatis Schützenfest) von 1949 La Vacances des Monsieur Hulot (Die Ferien des Monsieur Hulot) von 1953 Mon Oncle (Mein Onkel) von 1958 Playtime (Playtime - Tatis herrliche Zeiten) von 1967 “Jour de fête”: In Search of the Lost Color, a 1988 documentary on the restoration of the film to Tati’s original color vision; Once Upon a Time . It’s rare for a director’s physical appearance to be as iconic as Jacques Tati’s is. Even in this early work, Tati was brilliantly toying with the devices (silent visual gags, minimal yet deftly deployed sound effects) and exploring the theme (the absurdity of our increasing reliance on technology) that would define his cinema. Jour de Fête Jour de fête (DVD) 15.99. . This February 28, 1988, episode of the French television program “Cinéma cinémas” documents the discovery of the negatives that led to the completion of the color version of Jacques Tati’s JOUR DE FÊTE. Jour de fête mubi.com’da. «Jour de fête» is a very funny movie about François (played by Jacques Tati himself), the local postman who want to be as fast as the postmen in America. Kind Hearts and Coronets (1949) 115. Mais qu'est-ce qui a bien pu faire sortir Mister Mc Abbé... de sa fosse ?! £15.99. We use cookies to give you the best experience possible. Postal Service. Supplements (from Criterion's web page): New digital restorations of all six feature films, with uncompressed monaural soundtracks on the Blu-rays of Jour de fête, Monsieur Hulot's Holiday, Mon oncle, Trafic, and Parade and 3.0 surround DTS-HD Master Audio soundtrack on the Blu-ray of PlayTime. Rob Sinden 11:03, 4 August 2016 (UTC) Oppose. For this version, he hired animator Paul Grimault to hand paint colors onto objects in the film. Jour de Fete subtitles. — Film Fan 11:28, 4 … Watch trailers, read customer and critic reviews, and buy Jour De Fête directed by Jacques Tati for $14.99. The Criterion Jacques Tati covers The marvelous drawings of Belgian illustrator Davd Merveille for the new Tati box set. Jour de Fête. 1949’s Jour de Fête is Tati’s most explicit evocation of postwar France, set in the small French commune Sainte-Sévère-sur-Indre, with Tati playing François, a bumbling postman obsessed with speed and efficiency, seeking to mimic American delivery methods in order to perfect his postal route. Two years later, that short, “L’école Des Facteurs” (included in this box set), formed the basis for Tati’s glorious feature debut, Jour De Fête (1949). The Heiress (1949) 119. The Criterion Collection LGBTQ+ Artists' Film & Video Collections & Boxsets Rare, Deleted & Signed Books. When a carnival arrives in town, he watches a film depicting the efficiency of the U.S. Inspired by the footage, François sets out to become just like the mail carriers in the United States. Dieser box hat folgende filme, Außer in Jour de Fete wo er einen Postbeamte spielt drehen diese sich um sein Alter Ego Hulot. For this version, he hired animator Paul Grimault to hand paint colors onto objects in the film. In 1964, Jacques Tati revisited JOUR DE FÊTE. Jour de Fete (Tatis Schützenfest) von 1949 La Vacances des Monsieur Hulot (Die Ferien des Monsieur Hulot) von 1953 Mon Oncle (Mein Onkel) von 1958 Playtime (Playtime - Tatis herrliche Zeiten) von 1967 Directed by Jacques Tati • 1949 • France AKA: The Big Day, Holiday. Written in Summer 2014 for the seven-disc Criterion Blu-Ray box set, “The Complete Jacques Tati”, and posted on Criterion’s web site on October 28. Jour de Fête does not have a fully grown plot, a characteristic the movie shares with many of Tatis later works. Jour de fête (The Big Day) is a 1949 French comedy film starring Jacques Tati in his feature film directional debut as an inept and easily distracted mailman in a backward French village. The first is, predictably, for Tati’s first film, Jour de fête. In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. In a French town, postman François spends his working hours casually delivering the mail. In 1964, Jacques Tati revisited JOUR DE FÊTE. It displays Tati’s early knack for physical comedy and is quite charming. Starring Jacques Tati. Adrian Curry 25 Oct 2014. . Jacques Tati tarafından yönetilen Jour de fête filminin fragmanlarını, yorumlarını ve diğer bilgilerini bul. . The camera work is excellent so is the cinematography. This set from Criterion brings together each of director Jacques Tati's six feature films: Jour de Fete, Monsieur Hulot's Holiday, Mon Oncle, Playtime, Trafic, and Parade. Picture 7/10. Jour De Fête (1949) 114. By using our site, you agree to our use of cookies. Jour de fete put Tati on the map; it carried off a prize for Best Scenario at the 1949 Venice Film Festival, and a gold medal at Cannes the following year. In cinema history, there truly is no gag like a Tati gag. The disc for Jour de fête is loaded, but some of the supplements are ripe for criticism. Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France. Not just the writer and director of a series of beloved French comedies—including M. Hulot’s Holiday, Mon oncle, Playtime, and Trafic—but their star, Tati embodied the befuddled, eternally umbrella-carrying and trench-coated Monsieur Hulot, perennially unable to adjust to a rapidly modernizing world, with empathy and a delightful comic precision. The current capitalization is correct and more common in the English-speaking world. Be the first to review this product . Criterion makes the original 1949 black-and-white release the principal feature, but also includes the 1964 version of the film in which Tati inserted some color. Also included are a smattering of short films he made. Jour de fête de Jacques Tati (1949) - Analyse et critique du film - DVDClassik CinéSéries : Cinéma, Séries TV, BA, News, Critiques et Séances Découvrez la nouvelle référence (alias commeaucinema.com) cinéma et séries, les critiques, les BA, l'actu, vérifiez les sorties et horaires de films. Very joyful movie too. Available on the Jour de fête laserdisc through the Criterion Collection, also on the Mon Oncle DVD through the Criterion Collection, and on the Jour de fête DVD through Les Films De Ma Vie. Add Tati’s brilliant knack for composition, expertise at choreographing deadpan slapstick, and grandiose vision (his 70 mm Playtime, one of the most expensive French productions in history to that point, bankrupted him), and you’ve got one of the most enjoyable, singular oeuvres in film. In 1949, Jacques Tati used two cameras for JOUR DE FÊTE: one loaded with a new color film stock, and the other with black and white, which Tati turned to when unable to get the color film processed. Jour de fête In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. Late Spring (1949) 116. The poster is called François à l’Américaine , it’s officially licensed and goes on sale Friday March 13 as a timed edition. See more in our Cookies Policy. Things got a little hectic (and hilarious) when New York comedians Jaboukie Young-White, Lorelei Ramirez, Fumi Abe, Nore Davis, and Tomas Delgado visited the Criterion offices. (This short is also found on Criterion’s DVD of M. Hulot’s Holiday.) Jour de fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community. The high-definition transfer is delivered in 1080p/24hz. “Mon oncle,” a 2008 documentary about the making of that film Everything Is Beautiful, a 2005 piece on the fashion, furniture, and architecture of Mon oncle Shot largely in and around Sainte-Sévère-sur-Indre, where Tati had lived during the Occupation, most of the actors were unknown and villagers served as extras. In celebration of Bastille Day, the American Cinematheque treats L.A. audiences to a double dose of comedic genius from the beloved French filmmaker. In his enchanting debut feature, Jacques Tati stars as a fussbudget of a postman who is thrown for a loop when a traveling fair comes to his village. Le Silence De La Mer (1949) 117. La suite: "Saint Valentin" Like Jour de Fête, the story is episodic, but much more solid, as this time the viewer is certain as to the identity of the main character. The storyline is told loosely in a lazy, quiet way, interwoven with many small tales connected with each other, which recount the arrival of the traveling showmen, the setting up of the carnival and its impact on the town life. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. Jour de fête tells the story of an inept and easily-distracted French mailman who frequently interrupts his duties to converse with the local inhabitants, as well as inspect the traveling fair that has come to his small community.
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